Death is Beautiful: Preston Fassel’s The Beasts of 42nd Street
Andy Lew works in one of the 42nd Street grindhouses as a projectionist, always championing the explicit, the outré, the weird. Maybe it’s what the Colossus’ audiences have been eager to see all these years, or maybe he’s just giving himself a perverse satisfaction. The truth is found somewhere in the Venn Diagram overlap between […]
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